Match Spotlight: MJF Vs Kenny Omega, AEW Collision 10/28/2023

Even for All Elite Wrestling, a company that prides itself on having a roster full of people wanting to put on five-star classics every single night, this match is a lot. Don’t get me wrong, it’s very good and is one of the most entertaining matches in “Collision” history, but it does reach a point where you have to throw your hands up and say to Omega and Friedman “I’m full guys, please, no more.”

Considering what had been going on in AEW at the time with CM Punk getting fired, Bryan Danielson getting injured basically as soon as he returned from a broken arm, and Adam Cole’s exploding ankle ruining the entire “Devil” storyline, this was a welcome shot in the arm for the company. Kenny Omega arrives looking like a megastar despite feeling like the polar opposite (diverticulitis would take its toll two months later), MJF gets a huge response from the live crowd who are fully locked in for this one, and even though Friedman is technically a babyface at this time, he has to play the heel when he’s in there with Omega.

That actually plays into the match’s advantage as MJF has always wrestled better when playing the heel. He struts around, he pokes Omega in the eye, he goes for a sportsmanlike handshake knowing full well he wants to kick Omega in the groin, it’s the classic MJF playbook. However, because he is getting cheered like crazy, it forces Omega to try even harder to get the crowd behind him, and when he’s wrestling the type of match that wouldn’t look out of place in an NJPW main event, he is also dipping deep into his bag of tricks.

There are some surprises, particularly from MJF who sort of hits a Fosbury Flop in the early going (he basically attacks the apron more than Omega), and busts out a Poisonrana to get out of the One-Winged Angel. This forces Omega to bring out some more power-based offense like hitting a Powerbomb on the barricade, and through a table on the outside which was incredibly satisfying because a good table break in wrestling is one of the best visuals in all of entertainment.

By the end of things, both men are exhausted and still going for the big bombs, but it does run out of steam when Don Callis, with all the subtlety of a strobe light with Tourette’s, runs down to try and distract Omega. This is something I think we could have all done without, but it doesn’t take too much away from things. Does it need to be 30 minutes? Probably not as there are a few moments throughout that could have been chopped off, but in the end, this is a very fun match, MJF breaks Omega’s record, and delivers one of the best matches of his first AEW Men’s World Championship reign.

WWE’s Shawn Michaels Isn’t Bothered By Wrestlers Using The Superkick: ‘Mine Works’

In the ’80s, Jake “the Snake” Roberts once accidentally invented a move that he’d end up calling “The DDT,” named after the hazardous pesticide, utilizing it to end several matches. Ten years later, the move would become a standard move; rarely used as a finisher. 

Fast-forward to today, and what was once the show-stopping “Sweet Chin Music” has similarly been delegated to a normal move, but according to the man who made the move famous, Shawn Michaels, he has no issue with the “Superkick” now being standardized. 

“I didn’t want to be an old-timer that stopped the progression and the evolution of the business,” he said during an interview on “7PM in Brooklyn,” recalling how the veterans of his time warned him that he was killing the business back in his early years. “I still feel like the move is always going to be synonymous with me, which I’m appreciative of.” 

Michaels was asked about the difference between a “Superkick” and the “Sweet Chin Music” he used. 

“Mine works,” the veteran exclaimed.

Michaels then pointed out that wrestlers usually have an idea of a finisher before getting into the industry, and noted that it’s often a difficult decision because there aren’t many moves left that haven’t been used as believable finishers. 

“I can remember, with Sweet Chin Music, the Super Kick, it was a couple years after I retired, and getting a phone call and, again, one guy wanted to use it, and you know, ‘is it okay?’ And I said: ‘Yeah, it don’t matter to me,'” he claimed. “I think it was Dolph Ziggler, yeah? And I just thought, ‘sure, I’m not there anymore!’…Once I said yes to that one, it was like opening a floodgate.”

If you use any quotes from this article, please credit “7PM in Brooklyn” and provide a h/t to Wrestling Inc. for the transcription.

Liv Morgan On Milestone WWE Title Victory Against Ronda Rousey: ‘So Surreal’

Since joining WWE over a decade ago, Liv Morgan has been on a steady climb through the company’s ranks, building to her recent Royal Rumble victory and a prominent position on the card for WrestleMania 42. One of the most important steps in her journey was winning the Money in the Bank briefcase and using it to beat Ronda Rousey for the title the same night. Speaking to 8 News Now in Las Vegas, Morgan looked back on that night in 2022.

“It was so surreal,” Morgan said. “Just being in WWE has felt enough for me. So to win my very first-ever [World] Championship, to win Money in the Bank and to cash in on Ronda Rousey to become the new SmackDown Women’s Champion, it was just such a surreal moment. I remember holding my championship and looking out into the crowd and feeling like, ‘Wow.’ I had just made all my dreams come true.”

Morgan then reflected on her upbringing as a pro wrestling fan, crediting her brothers for her interest. She named WWE Hall of Famer Lita as one of her favorites, with Morgan taking inspiration from Lita’s fashion while she was growing up.

This month, following her Royal Rumble win in January, Morgan is set to face Stephanie Vaquer at WrestleMania, with the Women’s World Championship on the line. It’s been announced that the match between Vaquer and Morgan will take place on the first of the show’s two nights, placing it on Saturday, April 18.

WWE’s Ricky Saints Reflects On AEW Absence And Departure: ‘I’m Thankful’

Before he became both North American and NXT Champion in WWE, Ricky Saints was known as Ricky Starks in AEW. However, Saints seemingly had some issues in Tony Khan’s company in 2024, and he was absent from AEW programming for almost a year, and even reportedly asked for his release at the beginning of 2025. While he was away from AEW, Saints wrestled a handful of matches on the independent scene, including at House of Glory and DEFY. On an episode of “Getting Over: Wrestling Podcast,” Saints reflected on his AEW absence and ultimate departure, and said he was restless.

“I’m so used to wrestling all the time. I think that’s the type of person I am,” Saints explained. “I’m used to creating. I’m used to using my body for these things. To not have that was a very odd place to be at mentally. So, you’re having to figure out these other things, especially when it goes to like the independents, it was not as easy to get some of these independent dates cleared. That’s not a knock on the company itself, it’s just a conflict of interest for AEW and whatever independent that I wanted to do. But, at the end of the day, it all worked out. I’m thankful for both sides. I’m thankful for AEW. I’m thankful for the independents as well.”

Saints was removed from AEW’s roster page on February 10 of last year. He appeared live in the WWE Performance Center, though he initially didn’t say a word, on the February 11 edition of “WWE NXT.” He would go on to win his first WWE gold in just his third match on the brand.

If you use any quotes from this article, please credit “Getting Over: Wrestling Podcast” and provide a h/t to Wrestling Inc. for the transcription.

Former WWE Manager Armando Estrada Was Told He Was ‘Too Entertaining’ By Producers

Armando Estrada burst onto the scene in WWE alongside Umaga in 2006, ushering in the “The Samoan Bulldozer” as a monster heel. By 2007, Estrada and Umaga were separated, and within the next year he was released from WWE after several different storylines and angles.

According to Estrada in an interview with “Busted Open Radio,” his success with the fans ended up working against him backstage. “There were some things that I probably could have done better back then,” he said. “You find this out later – you get told: ‘Hey, you’re too entertaining.’ What do you mean I’m too entertaining? This is an entertainment company. How am I too entertaining?” Estrada added that he was once told by an executive producer that the same things that can get you on television in WWE can end up being the reason you’re sent back to developmental or released.

“As The Rock says, knowing your role and knowing what’s expected of you – if you’re in the fifth match, you’re not supposed to have a barn-burner, or you’re not supposed to have the biggest pop of the night,” he said. The former manager eventually realized that WWE wanted the biggest reactions saved for the stars at the end of the show. Under Vince McMahon, Estrade felt that everything was micromanaged, and people were stifled creatively and prevented from truly shining in WWE.

If you use any quotes from this article, please credit “Busted Open Radio,” and provide a h/t to Wrestling Inc. for the transcription.